#DEAR ESTHER LANDMARK EDITION TROPHIES SERIES#

It keeps the entire experience compelling, despite never truly introducing you to any characters to latch onto. For a game with so little player interaction to evoke so many questions in such a short amount of time is impressive. Still, you’ll wonder who the narrator is – is he you? – and continually question who the few people he’s talking about actually are. It flits between poetry and melancholic monologues, and there’s always the sense that the game is crossing timelines, or that its characters existed across entirely different generations.Īt times it strays a bit too far into the obscure, even becoming pretentious. Dear Esther may not be a bombastic spectacle, but it’s unforgettably pretty.Īs you reach certain landmarks in the game, the game’s narrator – an unspecified man whose voice has a wonderful timbre – reads out lengthy, florid lines of dialogue that only become more strained and stressed as you get ever closer to the end.

#DEAR ESTHER LANDMARK EDITION TROPHIES SERIES#

A series of letters in the water, a map of Britain, near-illegible writing scrawled on the stone walls… It’s truly stunning, bordering on photorealistic in places, whether you’re looking out across the sea, or stumbling into your first moonlit cave with ceiling-to-floor stalagmites and stalactites that look almost exactly like the real thing. This island itself is a kind of relic – the structures upon it exist as clues that you can begin to piece together in order to work out what’s happened there. This only builds the sense of loneliness. There are abandoned houses, a lighthouse, a beached freighter ship, but you’ll never see another person in your journey through Dear Esther’s short one-hour run-time.

There are cliffside drops, country paths, stone structures and beautiful cave systems. You’ll do the odd bit of backtracking, but for the most part it’s a strictly linear adventure, one that manages to feel like a single cohesive place rather than a bunch of bits strung together. It’s basically one path through the game – up, down and across various parts of the island. Its pace is slow – like, really slow – but the palpable atmosphere, haunting musical score and wonderfully effective narration keep you pressing onward. Dear Esther’s world is a misty Hebridean island that you just walk across. It balances the mix of mystery really well. There are no puzzles, either, at least not in the active sense – the only puzzle you have to solve is in deciphering the game’s well-written, ambiguous plot, and even then you’ll never really know if you’ve reached the bottom of it. There’s no platforming or fast driving, no explosions or level-ups. Continued abuse of our services will cause your IP address to be blocked indefinitely.There’s no shooting in Dear Esther. Please fill out the CAPTCHA below and then click the button to indicate that you agree to these terms. If you wish to be unblocked, you must agree that you will take immediate steps to rectify this issue. If you do not understand what is causing this behavior, please contact us here. If you promise to stop (by clicking the Agree button below), we'll unblock your connection for now, but we will immediately re-block it if we detect additional bad behavior.

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